HOLMAN, P.

Dowland Lachrimae (1604).
Peter Holman nos presenta un detallado estudio de esta enigmática obra del siglo XVII, incluyendo la historia de su publicación, análisis de la instrumentación, localización histórica, su relación con la música de danza de la época... Cambridge, 1999. 100pp en –4.

Contents:


Note to the reader
Abbreviations
Preface
1.- The document
English music publishing
Dowland´s continental career
The publication of Lachrimae
The table layout
2.- The instruments
Lachrimae and the Anglo-German repertory
Instrumentation
Chiavette and transposition
The lute part
3.- The dance types
The pavan
The galliard
The almand
Composition, arrangement and performance
The Elizabethan dance repertory
The late Elizabethan pavan
Tonality
4.- The seven “Passionate Pavans”
“Lachrimae Antiquae”
The tear motif
Musical rhetoric
The nature of the cycle
Melancholy
“Lachrimae Antiquae Novae”
“Lachrimae Gementes”
“Lachrimae Tristes”
“Lachrimae Coactae”
“Lachrimae Amantis”
“Lachrimae Verae”
5 – “Divers other Pavans, Galiards, and Almands”
The ordering of the collection
“Semper Dowland semper Dolens”
“Sir Henry Umptons Funerall”
“M. John Langtons Pavan”
“The Earle of Essex Galiard”
“Captaine Digorie Piper his Galiard”
“M. Henry Noel his Galiard”
“Sir John Souch his Galiard”
“M. Giles Hobies his Galiard”
“M. Buctons Galiard”
“The King of Denmarks Galiard”
“M. Thomas Collier his Galiard with 2 Trebles”
“M. Nicholas Gryffith his Galiard”
“Mistresse Nichols Almand”
“M. George Whitehead his Almand”
6.-  Reception
Revival
Notes
Select bibliography
Index