Editorial : EDITION HH

15 resultados

  • Albinoni. 2 Kantaten: Vorrei che lo sapesi; Senza il care del mio bene
    Albinoni. 2 Kantaten: Vorrei che lo sapesi; Senza il care del mio bene
    ALBINONI, Tomaso (1671-1750)
    Both cantatas are typical specimens of Albinoni’s style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il core del mio bene, are a ‘trademark’ feature. So, too, is the use of a Devise (a preliminary statement of the voice’s opening theme) in the majority of the arias. The strongly indepe...
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  • Balli per cembalo. 90 keyboard pieces from early Italian manuscripts
    Balli per cembalo. 90 keyboard pieces from early Italian manuscripts
    This volume presents four of the earliest Italian manuscript collections of keyboard dances and dance songs, dating from about 1540 to c.1620 and vividly demonstrates the development of early keyboard writing from the pre-existing repertoire of the lute. The majority of these short and expressive pieces are transcribed into modern notation here for the first time, and their ori...
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  • Boccherini. G.310 Op.28/4 Quintet C-major -Rondeau- (2Vn, Va, 2Vc)
    Boccherini. G.310 Op.28/4 Quintet C-major -Rondeau- (2Vn, Va, 2Vc)
    BOCCHERINI, Luigi (1743 - 1805)
    The present quintet, concludes with the catchy Rondeau championed by all cellists, and is prefaced by three equally complimentary movements. The edition presents cadenzas published here for the first time.Edited by Keith Pascoe. ...
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  • Boccherini. Six Flute Quintets Vol.1 Nos.1-3 op.17/1,G.420-421 (FL, 2V, Va, Vc)
    Boccherini. Six Flute Quintets Vol.1 Nos.1-3 op.17/1,G.420-421 (FL, 2V, Va, Vc)
    BOCCHERINI, Luigi (1743 - 1805)
    It was during Boccherini's time in Spain that he wrote this present set of 6 quintets for flute and strings, listed by the composer in his autograph catalogue as Op. 17, ‘opera piccola’, and dated 1773. Boccherini’s use of the diminutive reflects the intimate and small-scale nature of these works, each quintet being cast in two movements, in contrast to the more usual four-mov...
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  • Boccherini. Six Flute Quintets Vol.2 Nos.4-6 G.422-424 (FL, 2V, Va, Vc)
    Boccherini. Six Flute Quintets Vol.2 Nos.4-6 G.422-424 (FL, 2V, Va, Vc)
    BOCCHERINI, Luigi (1743 - 1805)
    It was during Boccherini's time in Spain that he wrote this present set of 6 quintets for flute and strings, listed by the composer in his autograph catalogue as Op. 17, ‘opera piccola’, and dated 1773. Boccherini’s use of the diminutive reflects the intimate and small-scale nature of these works, each quintet being cast in two movements, in contrast to the more usual four-mov...
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  • Dowland. Keyboard music
    Dowland. Keyboard music
    DOWLAND. John
    The music of John Dowland, the greatest English lute composer of that Golden Age, circulated widely in keyboard adaptations during his lifetime, suitable for performance on harpsichord, virginals or clavichord. ...
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  • Fasch. Complete keyboard works Vol. 2: Sonatas and Character pieces
    Fasch. Complete keyboard works Vol. 2: Sonatas and Character pieces
    FASCH, Carl Friedrich Christian (1736 - 1800)
    Editado por Christopher Hogwood. ...
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  • Fasch. Complete keyboard works Vol. 3: Variations and Miscellaneous pieces
    Fasch. Complete keyboard works Vol. 3: Variations and Miscellaneous pieces
    FASCH, Carl Friedrich Christian (1736 - 1800)
    contains his four sets of extended keyboard variations, including some impressive displays of virtuosity, and a variety of short keyboard works, the majority of them previously unpublished. This volume completes the survey of his Complete Keyboard Works, which justify contemporary opinion that he was the true successor to C. P. E. Bach, and for the first time provides the moder...
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  • Fasch. Six Sonatas
    Fasch. Six Sonatas
    FASCH, Carl Friedrich Christian (1736 - 1800)
    Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, t...
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  • Fasch. Sonata V in F major.
    Fasch. Sonata V in F major.
    FASCH, Carl Friedrich Christian (1736 - 1800)
    Editado por Christopher Hogwood. ...
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  • Fitt for the Manicorde
    Fitt for the Manicorde
    A hitherto unpublished collection of keyboard music, suitable for harpsichord and organ, but specifically mentioning the clavichord, from the 1680s. Amongst the varied dance movements and suites is music by Lully, La Barre, John Roberts and Thomas Farmer. Score (xvii/71)Edited by Christopher Hogwood. ...
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  • Mabel Dolmetsch anthology
    Mabel Dolmetsch anthology
    DOLMETSCH, Mabel
    This anthology brings together timeless melodies such as Belle qui tiens ma vie and Heartsease, sixteenth-century dances from the Medici Manuscript in the Dolmetsch Library, and examples from the French viol repertoire, including Récit de la viole seule et Sarabande from the Sonate for eight instruments by Marc-Antoine Charpentier and pieces by Sainte-Colombe, Jean-Baptiste For...
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  • Sheeles. Suites of lessons for the Harpsichord or Spinet. Book 1 (1724)
    Sheeles. Suites of lessons for the Harpsichord or Spinet. Book 1 (1724)
    SHEELES, John
    Sheeles has a distinct gift for melody and for developing musical motives intensively and inventively, while always treating the keyboard in a highly varied and idiomatic.Editor: Michael Talbot. ...
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  • Sheeles. Suites of lessons for the Harpsichord or Spinet. Bool 2 (c.1730)
    Sheeles. Suites of lessons for the Harpsichord or Spinet. Bool 2 (c.1730)
    SHEELES, John
    Sheeles has a distinct gift for melody and for developing musical motives intensively and inventively, while always treating the keyboard in a highly varied and idiomatic.Editor: Michael Talbot. ...
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  • The Selosse Manuscript.
    The Selosse Manuscript.
    SELOSSE, Antoine
    Almost no music survives from the English Jesuit colleges (indeed very little at all has come down from the European Jesuit colleges as a whole from the period 1550-1773) so the importance of the Selosse manuscript for the history of English Catholic music, as well as Catholic music in general, cannot be overstated. There is tantalising evidence in the volume which suggests a c...
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