Editorial : GUNTERSBERG EDITION

254 resultados

• Abel (atrib). Zwei Trios für Violino, Viola da Gamba und Violoncello/Basso

  ABEL, Carl Friedrich (1723-1787) attibuted

  These two similar trios for violin, viola da gamba, and violoncello are found in the Ledenburg Collection as anonymous works. On the basis of stylistic characteristics, we were able to attribute them to Carl Friedrich Abel. These charming works enrich the early Classical repertoire for trios with violin and viola da gamba. They were hither to unknown and appear in print for the...

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• Abel (attributed). Concerto Violo de Gambo A-Dur

  ABEL, Carl Friedrich (1723-1787) attibuted

  The Viola da gamba Concerto in A Major from the Ledenburg Collection is unfortunately preserved anonymously and also incomplete. On the basis of stylistic comparisons, however, we surmise that the composer was Carl Friedrich Abel. Moreover, it was possible to reconstruct the missing parts for our edition, so that now a fully playable, complete concerto is available. It is a typ...

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• 

  Abel. Concerto a Viola da Gamba Concertata in G-Dur

  ABEL, Carl Friedrich (1723-1787)

  Reconstructed version after the Violoncello Concerto in B-flat major WKO 52 and the Flute Concerto in C-major WKO 51. ...

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• Abel. Drei Ledenburg Sonaten für Viola da Gamba und Basso

  ABEL, Carl Friedrich (1723-1787)

  Carl Friedrich Abel's Ledenburg Sonatas for viola da gamba and basso are characterized by unconventional, often surprising harmonies. They are in three movements in the form slow-fast-fast, a series of movements that was found in Berlin (Berlin school) rather than in London. ...

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• Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 2

  ABEL, Carl Friedrich (1723-1787)

  The Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Poznan, Poland.Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1...

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• Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 3

  ABEL, Carl Friedrich (1723-1787)

  The Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Poznan, Poland.Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1...

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• 

  Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 4

  ABEL, Carl Friedrich (1723-1787)

  Editor: Sonia Wronkowska. ...

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• Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 5

  ABEL, Carl Friedrich (1723-1787)

  The Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Poznan, Poland.Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1...

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• Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 6

  ABEL, Carl Friedrich (1723-1787)

  Editor: Sonia Wronkowska. ...

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  Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 7

  ABEL, Carl Friedrich (1723-1787)

  Editor: Sonia Wronkowska. ...

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• Abel. Drei Sonaten für Viola da Gamba und Basso. Maltzan Collection, Vol. 8

  ABEL, Carl Friedrich (1723-1787)

  The Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Poznan, Poland.Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1...

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• Abel. Ein Duett für zwei Violen da Gamba und zweiundzwanzig Sonaten fürViola da Gamba und Basso. Maltzan Collection, Vol. 1

  ABEL, Carl Friedrich (1723-1787)

  Editor: Sonia Wronkowska. ...

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• Abel. Pembroke-Sammlung Vol.1 Sonatas 1-10

  ABEL, Carl Friedrich (1723-1787)

  If you’d like to know about the music Carl Friedrich Abel used in the 1770s to teach his students and convey to them the joy of playing music, go no further than the Pembroke collection, which contains 30 gamba sonatas written for his student, the Countess of Pembroke. Commencing mainly with two-movement sonatas which are if anything intended for beginners, it becomes musically...

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• Abel. Pembroke-Sammlung Vol.2 Sonatas 11-16

  ABEL, Carl Friedrich (1723-1787)

  Editor: Günter and Leonore von Zadow.2 playing scores: treble clef and alto/bass clef. ...

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• Abel. Pembroke-Sammlung Vol.3 Sonatas 17-23

  ABEL, Carl Friedrich (1723-1787)

  Editor: Günter and Leonore von Zadow.2 playing scores: treble clef and alto/bass clef. ...

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• Abel. Pembroke-Sammlung Vol.4 Sonatas 24-30

  ABEL, Carl Friedrich (1723-1787)

  Editor: Günter and Leonore von Zadow. 2 playing scores: treble clef and alto/bass clef. ...

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• 

  Abel. per il Viol di Gambo

  ABEL, Carl Friedrich (1723-1787)

  This small sonata for viola da gamba und obbligato keyboard instrument by Carl Friedrich Abel is based on a single preserved viola da gamba part. For our edition, the keyboard part was reconstructed true to the original style by Wolfgang Kostujak, so that this work can now be played. It is Abel’s only composition for this combination of instruments, but one of a series of analo...

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• Abel. Quartet in G major

  ABEL, Carl Friedrich (1723-1787)

  This quartet in G major for flute, violin, viola da gamba and violoncello is the only surviving exemplar of at least ten similar works for this instrumentation. Our edition takes thoroughly account of all accessible sources and rejects the slow middle movement which has been identified as inauthentic, i.e. there are only two movements.The introduction is by Peter Holman. The ca...

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• 

  Abel. Sechs Cembalosonaten op.2 mit Begleitung einer Violine oder Flöte und eines Violoncello

  ABEL, Carl Friedrich (1723-1787)

  full score and 3 parts.Editor: Günter and Leonore von Zadow. Introduction: Stephen Roe. ...

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• Abel. Sechs Cembalosonaten op.2 mit Begleitung einer Violine oder Flöte und eines Violoncello

  ABEL, Carl Friedrich (1723-1787)

  full score and 3 parts.Editor: Günter and Leonore von Zadow. Introduction: Stephen Roe. ...

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• Abel. Sechs Cembalosonaten op.2 mit Begleitung einer Violine oder Flöte und eines Violoncello

  ABEL, Carl Friedrich (1723-1787)

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• Abel. Sechs Quartette op.XII

  ABEL, Carl Friedrich (1723-1787)

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• Abel. Sechs Quartette op.XII

  ABEL, Carl Friedrich (1723-1787)

  Editor: Günter von Zadow. ...

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• Abel. Six easy sonatas (I-VI). Facsimile.

  ABEL, Carl Friedrich (1723-1787)

  Published in 1771 these sonatas were among the last works written for the gamba, and present the player with a rare opportunity to experience the classical style. The technical demands are note specially high, so that these pieces are also very well suited for students. According to the original title they can also be played on the harpsichord or on piano solo, on alto or desca...

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• Abel. Six easy sonatas. (I-III)

  ABEL, Carl Friedrich (1723-1787)

  Published in 1771 these sonatas were among the last works written for the gamba, and present the player with a rare opportunity to experience the classical style. The technical demands are note specially high, so that these pieces are also very well suited for students. According to the original title they can also be played on the harpsichord or on piano solo, on alto or desca...

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• Abel. Six easy sonatas. (IV-VI)

  ABEL, Carl Friedrich (1723-1787)

  Published in 1771 these sonatas were among the last works written for the gamba, and present the player with a rare opportunity to experience the classical style. The technical demands are note specially high, so that these pieces are also very well suited for students. According to the original title they can also be played on the harpsichord or on piano solo, on alto or desca...

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• Abel. Six easy Sonattas für Traversflöte und Basso continuo. Sonaten I-III

  ABEL, Carl Friedrich (1723-1787)

  Published in 1771 these sonatas were among the last works written for the gamba, and present the player with a rare opportunity to experience the classical style. The technical demands are note specially high, so that these pieces are also very well suited for students. According to the original title they can also be played on the harpsichord or on piano solo, on alto or desca...

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• Abel. Six easy Sonattas für Traversflöte und Basso continuo. Sonaten IV-VI

  ABEL, Carl Friedrich (1723-1787)

  Published in 1771 these sonatas were among the last works written for the gamba, and present the player with a rare opportunity to experience the classical style. The technical demands are note specially high, so that these pieces are also very well suited for students. According to the original title they can also be played on the harpsichord or on piano solo, on alto or desca...

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• Abel. Six Sonatas op.9

  ABEL, Carl Friedrich (1723-1787)

  Carl Friedrich Abel’s Six Sonatas op.9 for violin, violoncello and bass were published in London around 1772. As Peter Holman suggests in his preface, the second part was probably originally written for the gamba rather than the cello. Accordingly our edition provides the second part in alto clef for the gamba as well as one in tenor clef for the cello. The bass is a figured co...

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• Abel. Sonata Viola da Gamba Solo Senza Basso

  ABEL, Carl Friedrich (1723-1787)

  In the 1770s Carl Friedrich Abel instructed the Countess of Pembroke in the viola da gamba. From this time an eighty-four-page manuscript volume is preserved, the so called Pembroke collection, which contains many sonatas for viol by Abel which are technically rather simple. Editor: Günter and Leonore von Zadow. ...

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