Consort

títulos / Partituras / Música de cámara y orquesta / Consort (21)

títulos / Partituras / Música de cámara y orquesta / Consort
  • Dowland, J. Complete consort music
    Dowland, J. Complete consort music
    DOWLAND, John
    Editor: Edgar Hubert Hunt.5 strings or 5 recorders (SATTB) and basso continuo (lute, modern notation and tablature; harpsichord, organ). ...
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    35,00 €

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  • Elizabethan consort music I
    Elizabethan consort music I
    Edited by Paul DoeFirst published in 1979 ...
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    132,00 €

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  • Fritsch. Primitiae Musicales Band 1
    Fritsch. Primitiae Musicales Band 1
    FRITSCH, Balthasar (~1575 – after 1608)
    Fritsch was a violinist in Leipzig and probably a member of the Stadtpfeiffer (town musicians) there. Among his contemporaries were Johann Hermann Schein, Georg Engelmann, and Valerius Otto, who all also published paduans and galliards. A distinctive feature of this collection is that the dances are not thematically related and can therefore be combined as desired. Accordingly,...
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    21,80 €

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  • Fritsch. Primitiae Musicales Band 2
    Fritsch. Primitiae Musicales Band 2
    FRITSCH, Balthasar (~1575 – after 1608)
    Fritsch was a violinist in Leipzig and probably a member of the Stadtpfeiffer (town musicians) there. Among his contemporaries were Johann Hermann Schein, Georg Engelmann, and Valerius Otto, who all also published paduans and galliards. A distinctive feature of this collection is that the dances are not thematically related and can therefore be combined as desired. Accordingly,...
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    21,80 €

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  • Funck. Stricturae viola-di gambicae für vier Violen da Gamba. Band 1 (Nr. 1-16)
    Funck. Stricturae viola-di gambicae für vier Violen da Gamba. Band 1 (Nr. 1-16)
    FUNCK, David (1648-1701)
    Funck’s Stricturae number among the standard German works for viol consort. Moreover, they belong to the relatively few works in this genre for four bass viols, even if other scorings are some times possible (e.g. TrTBB). Because of the varying degrees of difficulty, the collection contains something for every consort. Until now, however, a modern edition for viols has been lac...
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    16,90 €

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  • Funck. Stricturae viola-di gambicae für vier Violen da Gamba. Band 2 (Nr.17-32)
    FUNCK, David (1648-1701)
    Funck’s Stricturae number among the standard German works for viol consort. Moreover, they belong to the relatively few works in this genre for four bass viols, even if other scorings are some times possible (e.g. TrTBB). Because of the varying degrees of difficulty, the collection contains something for every consort. Until now, however, a modern edition for viols has been lac...
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    22,20 €

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  • Funck. Stricturae viola-di gambicae für vier Violen da Gamba. Band 3 (Nr.33-43)
    FUNCK, David (1648-1701)
    Funck’s Stricturae number among the standard German works for viol consort. Moreover, they belong to the relatively few works in this genre for four bass viols, even if other scorings are some times possible (e.g. TrTBB). Because of the varying degrees of difficulty, the collection contains something for every consort. Until now, however, a modern edition for viols has been lac...
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    16,90 €

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  • Hammerschmidt. Erster Fleiß, 15 instrumental suites for five-part consort, Freiberg (Saxony) 1636 and 1639
    Hammerschmidt. Erster Fleiß, 15 instrumental suites for five-part consort, Freiberg (Saxony) 1636 and 1639
    HAMMERSCHMIDT, Andreas (1611-1675)
    These gay, and for the most part simple, dances were written for viols (Violen ), however they can be performed equally well by wind instruments or modern strings. The middle parts are notated in both, alto and (octavated) treble clef. ...
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    14,80 €

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  • Haussmann. Paduanen und Galliarden à 6
    Haussmann. Paduanen und Galliarden à 6
    HAUSSMANN, Valentin (~1560-~1612)
    These sonorous pairs of six-part pavanes and galliards are taken from the collection Neue fünff Stimmige Paduane und Galliarde, auff Instrumenten, fürnemlich auff Fiolen lieblich zugebrauchen (NewFive-part Paduans and Galliards to be played on instruments, especially delightfully on viols) that Valentin Hausmann had printed in Nuremberg in 1604 at the urging of his friends. The...
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  • Haussmann. Passameza à 5
    Haussmann. Passameza à 5
    HAUSSMANN, Valentin (~1560-~1612)
    This five-part Passameza is taken from Haussmann's collection "Neue Intrade mit sechs und fünff Stimmen auf Instrumenten für nemlich auf Fiolen lieblich zu gebrauchen", which was published in Nuremberg in1604. It consists of a theme with six variations and a concluding Represa in triple meter, which in turn contains a theme with three variations. This practical edition is suita...
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    18,80 €

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  • Haussmann. Phantasia à 4; Fuga prima; Fuga secunda
    Haussmann. Phantasia à 4; Fuga prima; Fuga secunda
    HAUSSMANN, Valentin (~1560-~1612)
    These three four-part polyphonic pieces are taken from Haussmann's two collections entitled "FRAGMENTA , Oder Fünffunddreissig nochübrige neue Weltliche Teutsche Lieder..." and "Neue fünffstimmige Paduane und Galliarde, auf Instrumenten, fürnemlich auff Fiolenlieblich zugebrauchen...", which were published in Nuremberg in 1602 and 1604, respectively. Our practical edition is su...
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    18,50 €

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  • Jenkins. Consort Music in four parts
    Jenkins. Consort Music in four parts
    JENKINS, John
    The volume includes airs and suites for two trebles, two basses and organ, and four-part fantasias and airs. Jenkins was a renowned composer in his own time, and his life and works forged a historical link between the glory of Jacobean consort music and its culmination in the music of Purcell.Edited by Andrew AshbeeFirst published in 1969, revised 1975 ...
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    120,00 €

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  • Legrenzi. Sonata quinta
    Legrenzi. Sonata quinta
    LEGRENZI, Giovanni (1626 - 1690)
    The music of Legrenzi belongs to the late Italian baroque time and is characterized by rich harmonies. These Sonatas are marked "à quatro viole da gamba ò come piace" in the original, which means that they are explicitly meant for viols. The score also contains the continuo part including figures so that the quartet of viols can be accompanied ad libitum by an chordal instrumen...
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    17,50 €

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  • Legrenzi. Sonata sesta
    Legrenzi. Sonata sesta
    LEGRENZI, Giovanni (1626 - 1690)
    The music of Legrenzi belongs to the late Italian baroque time and is characterized by rich harmonies. These Sonatas are marked "à quatro viole da gamba ò come piace" in the original, which means that they are explicitly meant for viols. The score also contains the continuo part including figures so that the quartet of viols can be accompanied ad libitum by an chordal instrumen...
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    16,40 €

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  • Locke. Chamber music I
    Locke. Chamber music I
    LOCKE, Mathew
    Edited by Michael TilmouthFirst published in 1971, reprinted with corrections 1975 ...
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    110,00 €

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  • Petrucci. Canti C, numero cento cinquanta (Venice, 1503/4)
    PETRUCCI, Ottaviano (compiler)
    Encuadernado en tela. ...
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    89,00 €

  • Petrucci. Harmonice Musices Odhecaton A
    PETRUCCI, Ottaviano (compiler)
    Encuadernado en tela.Edition by Stanley Boorman & Ellen S. Beebe. Introduction by Stanley Boorman. ...
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    48,50 €

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  • Schultz. Musicalischer Lüstgarte. Heft 2
    SCHULTZ, Johannes (1582-1653)
    For gamba players the tenor parts are also available in alto clef. This collection is intended for sociable music-making. Because of the varying and not always small range, the pieces are suitable for strings, especially for viols. But they are also very suitable for recorders and other wind instruments or for mixed ensembles. ...
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    19,00 €

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  • Vitali. La Saffatelli, Capriccio detto il Molza, aus opus V
    Vitali. La Saffatelli, Capriccio detto il Molza, aus opus V
    VITALI, Giovanni Battista (1632-1692)
    The Italian composer G. B. Vitali was renowned in his time particularly for his instrumental compositions. Opus 5, which was printed in Bologna in 1669, belongs to his earlier works. The sonatas are written for instruments of the violin family, they can however be played just aswell by viols or by wind instruments (middle parts in alto and (octavated) violin clef). The score al...
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    15,50 €

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  • Young. Sonate à 3 Violes. Innsbruck 1659.
    Young. Sonate à 3 Violes. Innsbruck 1659.
    YOUNG, William (?-1662)
    DescriptionThe Englishman William Young lived and worked in Innsbruck in the second half of his life and made a name of himself there as an important composer and as one of the best viol players of his time. His three-part sonatas represent the early form of the sonata, which is still closely associated with the canzona and the fantasia. Copies found in England therefore also r...
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    19,90 €

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  • Young. Sonate à 3 Violes. Innsbruck 1659. Heft II
    Young. Sonate à 3 Violes. Innsbruck 1659. Heft II
    YOUNG, William (?-1662)
    DescriptionThe Englishman William Young lived and worked in Innsbruck in the second half of his life and made a name of himself there as an important composer and as one of the best viol players of his time. His three-part sonatas represent the early form of the sonata, which is still closely associated with the canzona and the fantasia. Copies found in England therefore also r...
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    20,80 €

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